Where the Water Tastes Like Wine

•  Developer: Dim Bulb Games

•  Year(s) Shown: 2017

•  Website: http://www.wherethewatertasteslikewine.com

•  Team: Johnnemann Nordhagen - lead Serenity Forge - 2d and 3d art Chris Dwyer - Production Ryan Ike - Music and Sound Kellan Jett - Concept art Lauren Cason - 3d look development Felix Kramer - PR Gita Jackson - Writing Cara Ellison - Writing Jordan Minor - Writing Mari Landgrebe - Writing Claris Cyarron and Silverstring Media - Writing Leigh Alexander - Writing Sydney Meeker - Writing Anne Toole - Writing Stuart Arias - Writing Jolie Menzel - Writing Austin Walker - Writing Demian Diné Yazhi’ - Writing Emily Short - Writing Matthew S. Burns - Writing Laura Michet - Writing Duncan Fyfe - Writing

Where the Water Tastes Like Wine is a title featured during a previous IndieCade showcase.

About Where the Water Tastes Like Wine

Where the Water Tastes Like Wine is a single-player narrative game about traveling and telling stories, set in an America inspired by folklore and the Great Depression. Unlike other narrative games, however, WTWTLW is structured not as a single central narrative, but as a collection of short stories. While wandering, the player will meet 16 different characters, each of whom was written by a different writer. The stories share the theme of the failure of the American Dream, especially as it relates to those outside the mainstream of American society. The player, cursed to wander the land as the personification of Folk culture, takes on the task of spreading folktales and helping them grow, as well as collecting the life stories of the characters they meet.

The game is inspired by countless sources, most prominently things like The Grapes of Wrath, On The Road, Huckleberry Finn, Easy Rider, Matewan, Carnevale, Sister of the Road, the poems of Allen Ginsberg and Langston Hughes, and the world described in American roots music, full of grifters and loners and ghosts and magic and tragedy.

Each character is also heavily researched and drawn from historical contexts such as the miners' strikes, the Pullman Porters, the Bonus Army, the Long Walk of the Navajo, and many others.

The game has both a 3D overworld that the player wanders, having various adventures, and 2D conversation scenes between the player and the characters. In small branching choice sequences scattered around the world, the player collects stories on a variety of topics, and then trades those over the campfire with the characters encountered to learn more about their lives and their personal stories. Over time, these stories that the player scatters around will be passed from person to person and grow in the telling, becoming better (although less true). Through all this, the player must maintain their health and other resources against the difficulties of the hobo life. If the player can earn the trust and see the true inner selves of all 16 of the characters, their assigned task is over and they can rest.